When I started my art business, I had the pressure of deadlines and pleasing clients and especially outdoing myself. I was ALWAYS invested in the outcome. As my career progressed I had to perform in different ways. There were times I tried to “play”, but it turned into style tests or notes for future projects. Lately, I’ve only been painting samples for the monthly class I teach. These certainly have purpose and by nature the results have to be accessible to a wide variety of skill levels.
So, when I heard about this Art Retreat at The Flower Farm in Loomis, CA, my interest was piqued. Three of the classes scheduled were watercolor, which I enjoyed very much and they satisfied my need to learn some new techniques to add to my existing array. One was drawing, which I have avoided for years for no good reason. Drawing is so meditative, whether it’s simple sketches, blind contour or a fully formed and shaded work. It was satisfying to go back to it and I’m reinspired to do it regularly just for the experience of it. It’s one of the few times my inner voice is quiet.
Three days of making art! Clay and Water Felting described below. Three lovely watercolor classes were taught by Diane Tharp, Juan Peña and Mary Pivetti. Drawing taught by Don Scott.
And THEN there was Clay Sculpture and Water Felting! Two completely new mediums to me. I felt like a kid in a candy store! Our teachers were fabulous and patient and knowledgeable and showed us a great deal in their respective 2 1/2 hour time slots. They were ambitious for us in a way that I like to be when I’m teaching.
There I was with a pre-made armature on a stand with a block of clay, a few tools and the plan to sculpt a head. My previous experience was limited to play-doh sessions with the kids and grandkids, but I had always admired ceramics and other 3d work. I did my best to listen and follow instructions, with great admiration and compassion for my teacher who worked with each one of us individually through each of the main steps. He was a wonder to behold! When it came time to gouge out the eye cavity I was relentless, determined to be bold (which I generally am not). I continued with a glee I haven’t felt in a long time, proceeding with mixture of pure concentration and absolute forgiveness. Whatever I did was going to be funny looking, and that was fine!




The next day, our afternoon class was felting a flower. I had no idea that one starts with soft fluffs of wool and works it with soap and water until the fibers bond. It was like magic!


Sometimes we need a nudge out of our comfort zones as this retreat was for me. This event was well organized and attended by a group of creative people who were joyful, friendly and flexible. It was a delight from start to finish.
Now, what do I want to draw?
This blog was originally published on Substack April 26, 2026
